How to Make an Image Interesting to Someone Who Doesn't Know What a Ferrari F 40 Is

I'm not always focused on kind of details and being able to see, but more so. Shapes. Strong shapes. That's, that's why there's a lot of high contrast work as you, as you pointed out. I think it's a, I can push it a little too far sometimes and look at it, look at it later and be like. Maybe that was a little, maybe that was alittle too much. You stop it down way. Yeah. But the idea behind what I shoot is that let's, let's say I'm showing. My grandma, a photo. She maybe doesn't know what a Ferrari F 40 is. How dare your grandma.