Introduction

Dorothea Puente may have looked every bit the placid old lady she played. In reality, she was in her early fifties, and was using her self-made status as a ‘pillar of the community’ to divert attention away from what was buried and rotting in her garden. 

Whether her victims had a few hundred thousand dollars, a nice pick-up truck, or even just a meagre social security cheque – they all risked the wrath of the ‘Death House Landlady’.

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