Doomscroll with Joshua Citarella cover image

Soros Centers for Contemporary Art w/ Aaron Moulton

Doomscroll with Joshua Citarella

CHAPTER

Manifesto

Staging a biennial in your country was a way of embracing those ideals. This is part of the process of globalization as well. Some of these elaborate art works are staged to provoke a response from their audiences. Is there even a large enough public that bears witness to these works to meaningfully respond to something? The one thing i will say is, i have heard this in different forms from four different countries,. A representative of this story, that this ship landed there like a u f o.

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