Ep. 181: Cannes #9 with Jessica Kiang on 4 Daughters, La Chimera, Banel & Adama, Only River Flows
The Last Thing I Saw
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La Camara: The Elite Chamber or Walker Film in Competition
"I like calling it magic just because I do like I do think of her movies that she achieved some sort of magic always feels like a very fragile thingYeah to do it and I kind of like what this one is that it feels less mysterious in the sense that I can sort of see how she's doing it yeah we just some of comforting Because then I feel like she can replicate you know yesExactly. "What is so remarkable to me about this story is how robust the story is and how very grounded it is," he says. 'It makes an enormous amount of sense of a filmmaking style that could threaten to almost blow away in the wind sometimes but she manages to fuse those two almost
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