The Five Moments of Critical Mass

There was a lot of pressure when Braxton Pope, the producer and Brett, the writer saw that film and saw the first five or six minutes. They begged him to open with something else or try to get everybody back together just to shoot in a more kind of snappy way. And I think that's what he was looking for is like, what is like the moment where I have critical mass and I can make something it may not be Orson Welles quality, but it'll be something that we can sell to the European dealers or something.