The Creative Process: From Instruments to Emotions

In this chapter, the speakers discuss their process of creating a song, using different instruments such as a moog synthesizer, stolen guitar, and saxophone. They delve into the involvement of Chloe in playing the strings and how it adds depth to their music. They also explore the emotional inspirations behind their songs and the significance of lyrics in conveying their feelings.

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In this episode, John catches up with Amber Bain aka The Japanese House, along with producers Chloe Kraemer and George Daniel to talk about how they wrote, recorded and produced the album ‘In The End It Always Does’.

Looking back on their time together, Amber, Chloe, and George guide us through the process of bringing each song to life. Alongside stories of misunderstood lyrics and dog walk writing sessions, they treat us to some of the most stunning first demos ever heard, as well as the spontaneous studio moments that left everyone in tears.

As well as digging into the processes that shape the sound of the record, the trio discuss the importance of people when making music. They give us insights on the effects that come with having different personalities in the room, and how their studio mindsets have allowed them to efficiently work together in all iterations of themselves.

Listen to find out why there should be more songs about pets, how insecurity can destroy productivity, and what the difference is between a lyric song and a music song.

Tracks discussed: Boyhood, Sunshine Baby, One for sorrow, two for Joni Jones

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Intro Music - Sunshine Buddy, Laurel Collective

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