How Do You Negotiate All That?

I always think about this with big ensemble castes that you know I always think about stories that Paul Schrader would tell about blue colliery, to have like you know Richard Pryor was like great on take one and then that's all you're going to get from. And Kitell has to like work up to it. Now do you ever run into a problem? I mean 98% of your job on set is figuring out what each actor needs from you in order to give their best and making sure they've got ityou know.