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In this episode, John heads to Miloco Studios to catch up with Charlie Puth about how he wrote, recorded and produced the album ‘CHARLIE’.
Thinking back to the moments that sparked the initial ideas for each of his songs, Charlie talks us through how he translates the almost fully finished versions from his head to the DAW. From using auto-tune to satisfy his perfect pitch, to the simple chorus tricks he uses to help it all punch.
As well as looking back to his early days on YouTube and social media, Charlie discusses how the platforms have evolved and their impact on the way he writes, allowing him to include so many people in his music making process.
Listen to find out what Monday would sound like if it was a song, which of his viral sounds was faked, and how to play guitar like you’re a pianist.
Tracks discussed: Light Switch, That’s Hilarious, Loser
LINKS TO EVERYTHING TAPE NOTES
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Listen to ‘CHARLIE’ here.
Intro Music - Sunshine Buddy, Laurel Collective
GEAR MENTIONS
Waves NS1 Noise Suppressor
iZotope VocalSynth
Soundtoys Decapitator
U-he Diva
Antares Auto-Tune
Native Instruments Kontakt Pre-Bass
Native Instruments Kontakt Church Organ
LFO Tool
Valhalla Reverb
Oberheim Synth Digital
Thomas Penton Sample Pack
Oliver Sample Pack
Roland D-50 Synth
Roland TR-808
Roland Juno 60
Splice
Casio Keyboard
Rhodes
OUR GEAR
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If you'd like to help support the show you can donate as little or as much as you'd like here, (we really appreciate your contributions :)
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TAPE NOTES TEAM
Will Brown - Executive Producer, Engineer & Editor
Tim Adam-Smith - Executive Producer
Will Lyons - Editor
Herbie Elton-Rowley - Videographer
Matt Purbrick - Production Assistant
Guy Nicholls - Production Assistant
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Rebecca Ibbotson - Digital Marketing
