It's a story told by a man who has already died by suicide in his car. He is aware that it sounds impossible that he could be narrating this story given that he's already dead. And it has this kind of Holden Caulfield like catcher in the rye kind of style where it really involves the reader and brings the reader in in a very conversational way. Yeah, it has a lot of underground man kind of a lot ofunderground man.
Our whole lives we’ve been frauds. We’re not exaggerating. Pretty much all we’ve ever done is try to create a certain impression of us in other people. Mostly to be liked or admired. This episode is a perfect example, Tamler pretending to be a cinephile (check out his four favorite pieces of 2019 “pop culture” in the first segment), David trying to connect with the people (Baby Yoda, Keanu Reeves etc.) – and of course what could be more fraudulent than a deep dive into a David Foster Wallace story, rhapsodizing over the endless sentences, the logical paradoxes, the seven-layer bean-dip of metacommentary (Jesus Christ I’m surprised there aren’t like eight footnotes in this episode description), and meanwhile the Partially Examined Life dudes refresh their overcast feeds and wonder through the tiny keyhole of themselves how David and Tamler have sunk so low that they’d ramble on about “Good Old Neon” like a couple of first year Comp-Lit grad students trying to impress that girl who works at the Cajun bakery.
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