Deep Dive from The Japan Times cover image

167: Hayao Miyazaki’s confusing new masterpiece

Deep Dive from The Japan Times

CHAPTER

Miyazaki's Parnia

I think this film reflected his own feelings of more totality, more than I think his previous films. It felt more abstract. That could just be my own age coming through. A lot of his films are about childhood and sometimes a little bit about parenting. But this one felt like there was also this major storyline of being a grandparent or almost like he already sees himself as an ancestor, leaving behind a legacy.

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