Schopenhauer's Favorite Style of Art

In this episode, we’re exploring how Arthur Schopenhauer’s philosophy culminates in the idea that we must deny the will-to-live. This second part will take us through Schopenhauer's view of art, his idea of genius, and how the Platonic forms relate to aesthetics. Finally, we'll discuss the final end of Schopenhauer's philosophy: nothingness. Unlike other noted pessimists, who fixated on mortality, and the finitude of a human life, Schopenhauer insists that being itself is always indestructible. Death isn't even a way out of the horror of existence. Thus, it becomes imperative that the knowing subject discover through reason how to negate the will and to become free of the blind, ceaseless striving that creates his suffering.

For the episode image, I decided to go with young Schopenhauer. Since he wrote World as Will and Representation at 28 years old and never changed his mind about the contents of the book, young Schopenhauer and old Schopenhauer represent exactly the same Platonic Idea. And since time is simply an illusion of the phenomenal world, why not go from old to young?

Next week, we'll discuss Nietzsche's essay, Schopenhauer as Educator.