The Foucauldian Gaze

Lacan at the beginning is very much into the gaze as there's always a gaze behind. He makes it like you're not separable from that which you are looking at. So he moves it. Not that there's something behind you and you don't see it, but there's something in front of you and youDon't see it. Right? Which is for SART being caught looking by – and so the rustling leaves behind is the gaze really for SART, right? And so it is – it's not totally – you know, Joan has a great – Joan Kaptjek has a great essay in Imagine There's No Woman that really locates – shows