Asteroid City

Spike Mike Slacker's generation that Tarantino comes after. I think maybe it was a more crowded field of people actually making what they wanted to make even in the 90s or 2000s. The idea that he still kind of represents some kind of vanguard or incursion against blandification and blockbuster is pretty funny because he's not a kid anymore. And though he has this kind of child like wonder and often tell stories about very young people, he's getting up there.