The Evolution of Sound Design in Theatre

This week: Alt reich. The Spectator’s Lisa Haseldine asks if Germany’s far right is about to go mainstream, ahead of regional elections this weekend. Lisa joined the podcast, alongside the historian Katja Hoyer, to discuss why the AfD are polling so well in parts of Germany, and how comparable this is to other trends across Europe (1:13).

Then: why are traditional hobbies being threatened in Britain? Writer Richard Bratby joins the podcast, alongside Chris Bradbury, the drone support officer at the BMFA, to discuss his article in the magazine this week about the challenge red-tape poses to model steam engine and aeroplane enthusiasts (18:47).

And finally: how has sound design changed the world of theatre? The Spectator's chief dance critic Rupert Christiansen argues in the magazine this week that amplified sound has become the default, to the detriment of traditional theatre, and he joins the podcast to discuss (30:15). The director Yael Farber also joins to explain why she sees sound design as the primary sensory experience within theatre (37:55). 
 
Hosted by William Moore and Lara Prendergast.

Produced by Patrick Gibbons.