
Joseph O'Neill Reads Nadine Gordimer
The New Yorker: Fiction
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Gradwell's Dehumanization of the Breastbone
The story actually does see what Gradwell is thinking or just try to see it. He seems to be disconnected from his passions, from the paternal feelings that he would have had and even from the sense of mourning. It takes him a long time to sort of get around to processing the death of his child. And so that he's been dehumanized.
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