Can Dignity Be Photographed?

Lea Ypi’s new book about her Greek-Albanian grandmother is a philosophical meditation on dignity, a history of Ottoman collapse and Balkan nationalism, and a warning about our own indignant age of manufactured identities and resurgent tribalism.

Back in January 2022, Lea Ypi came on the show to discuss Free, her brilliant account of growing up in communist Albania. Now Ypi, who teaches political philosophy at LSE, is back with her follow-up, Indignity, an equally compelling biography of Leman Ypi, her maternal grandmother. “A Life Reimagined” is its subtitle, but it’s not just her grandmother whose life Ypi is reimagining. The book is a retelling of the modern stories of Greece, Turkey and Albania as well as a sly backwards glance on the court politics of the late Ottomans. Indignity is a Balkan story, in the grand tradition of Rebecca West. And like West, Ypi shows us that Balkan history is never quite dead - instead, it’s prophecy for our own age of resurgent nationalism and manufactured identities. Things don’t die in South Eastern Europe, Ypi suggests, they just fester, creating more and more indignity. No wonder the Dracula myth is a Balkan creation.

1. Dignity is what we chase, indignity is what we photograph. Bob Dylan wrote that “dignity never been photographed,” and Ypi iterates an entire philosophical framework around this insight. A 1941 photo of her glamorous grandmother in the Italian Alps sparked the book—but also online accusations that she was a spy. For Ypi, following Kant, dignity is an immaterial ideal we pursue; indignity is the empirical reality we live in. The book oscillates between the two, asking: how do we think about the dignity of the dead when all we have left are degraded facts and hostile interpretations?

2. Salonique the Magnificent died in 1912—and took cosmopolitan possibility with it. Leman Ypi was born in 1917 in Salonica, an Ottoman melting pot that was, for a time, considered a potential homeland for European Jews. When it became Greek in 1912, the Hellenization project began dismantling centuries of multicultural coexistence. By the time the Ottoman Empire collapsed after WWI, rising nationalism had replaced cosmopolitan possibility. Leman, an “Albanian” who’d never been to Albania, was told her identity must align with the new nation-state project. The book is a lament for this lost time—not a lost place, but a lost way of being.

3. Nationalism is a zero-sum game for dignity. In the world of nation-states that emerged from Ottoman collapse, individual dignity became inseparable from collective identity. To be Albanian meant dignity only as part of the Albanian nation-state project. This homogenizing, exclusionary logic forced people into boxes they’d never inhabited before. Ypi shows how this nationalist manipulation of dignity—promising it while destroying it—ran from the 1920s through fascism and communism. And it’s back now, in our age of deportations, border walls, and politicians demanding: “What are you? Where do you really belong?”

4. The stoic suicide versus the Kantian fighter—two philosophies of dignity. Leman’s aunt Selma, forced into marriage with a German businessman, killed herself on her wedding day—the ultimate stoic assertion of control. “If you see a room full of smoke, do you wait for help or just leave?” Throughout her life, especially during her husband’s 15-year imprisonment under Albanian communism, Leman wrestled with this question. Her answer was Kantian: suicide is a betrayal of our moral responsibilities to others. Dignity means staying and fighting, even when the struggle seems futile. But Ypi doesn’t romanticize this—Leman’s principled decisions often brought tragic consequences.

5. Identity is always more complicated than politics pretends. Writing the book forced Ypi to confront how constructed and contingent identity really is. Her “Albanian” grandmother was born in Greece, had never been to Albania, grew up in an Ottoman cosmopolitan elite, and only became Albanian through the accidents of collapsing empires and rising nationalisms. This complexity matters now, Ypi argues, when contemporary politics—from migration to deportation to calls for deglobalization—depends on simplistic, homogeneous notions of identity and belonging. The archive lies; borders shift; people contain multitudes. Any politics built on forcing people to “belong in one place and nowhere else” is both a scam and historically illiterate.

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