I would like you to firstly wait until the microphone gets to you so that everyone can hear your question. And I'm going to take three questions at a time. So we have one here, one over there and the third one. Frederick Balfour from Bloomberg. Perhaps we should consider taxing the 1% in order to help make art available for the 99%. Ben Lebouis and Paul Chan what do you make of contemporary art being the subject of reality TV? Christiana from Pipeline Magazine, Hong Kong.
What is the role of contemporary art museums today? Are biennales and art fairs platforms for experiment and exchange, or little more than social attractions for the elite? Have collectors become the new curators? Are private and corporate interests in culture at odds with the public good? And ultimately, who is art for? In this debate recorded in Hong Kong in 2012, award-winning documentary film-maker, author and art critic, Ben Lewis, and Hong Kong-born artist, Paul Chan, spoke for the motion. Former Director of Sydney’s Museum of Contemporary Art, Elizabeth Ann Macgregor, and conceptual art pioneer, Joseph Kosuth, spoke against the motion. Our chair was the writer, art market expert and author, Georgina Adam.
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