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The Crying of Lot Forty Nine
Sli: There's a sentiment that pops up across a lot of articles, and one of them said, pinchon's work is full of signs that point everywhere and nowhere. But when you start applying that method to research related to the crying of lot forty nine, ike, any of his books, that happens to you oull me beset on all sides by like, ok, wat this? Is this a coincidence? Soli: The issue is that these academics don't have anything to say, so when they look at pinchin, they think he's not saying anything.