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Ep. 233: Christine Smallwood on Chantal Akerman and La Captive

The Last Thing I Saw

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Exploring Ambiguity and Distance in Akerman's Cinematic Composition

This chapter delves into a key scene from a Chantal Akerman film, highlighting the unique visual composition between two characters separated by opaque glass. The discussion explores themes of distance, absence, and the duality of erotic tension and psychological tension within the narrative.

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