Majid Brel is the son of an affluent family. He doesn't even know there's a woman working for her, like her, like a living nurse. But he still visits her under the pretence of going to some work thing. So we've seen him receive tapes. We saw his kid receive a postcard. The only other person is his mam. And so that's why, you know, it motivates him to visit his mam.
David and Tamler go deep on Michael Haneke’s unnerving psychological thriller Caché. An upper middle class French intellectual couple receives mysterious videotapes of the exterior of their house, forcing them to confront their past and present. Can we run from our history? Or will it always find a way to break through? And who’s sending the tapes? Plus, VBW does conceptual analysis - what does it mean to be “corny”?
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