Left communist and councilist replies

Daniel Tutt returns to continue our series on intellectuals. The hardest truths are the ones that feel personal. We take Robert Michels’ “iron law of oligarchy” into the engine room of the SPD and ask why organizations built for emancipation so often drift into elite rule. From the paradox of proletarian vs bourgeois intellectuals to the cultural gravity of anti-socialist repression, we trace how habitus, patronage, and safety nets shape who gets to be “militant”—and who can’t afford to be.

Then we pivot to Jacques Rancière’s worker poets and autodidacts, setting aesthetic emancipation against “scientific socialism.” Do movements need science to map capital, or dignity to sustain courage—and can they live without either? Along the way, we pressure-test managerial class narratives from Burnham and Michael Lind, explain why pluralist fixes fail without leverage over capital, and pull hard lessons from Chile’s experiment: provisional leadership, worker coordination, and a sober reckoning with the violence embedded in class order.

With mass politics hollowed out into cartel parties and charisma’s glow fading, we sketch practical designs that resist capture: rotation and recall, sortition to break patronage, transparent conflicts-of-interest, democratic unions with real guardrails, and para-academic spaces that spread rigorous tools beyond the university’s segregating incentives. Overproduced elites complicate the picture; some can bridge worlds, but leadership must be constrained by accountability and class rootedness, not résumé prestige.

This is not resignation masquerading as realism. It’s an argument for building institutions that expect drift and correct it in real time—where dignity anchors motivation and scientific analysis sharpens strategy. If that sounds like the synthesis you’ve been looking for, press play, save the reading list, and tell us: which guardrails would you make non-negotiable? Subscribe, share with a comrade, and leave a review with your top design ideas for anti-capture organizations.

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Intro and Outro Music by Bitter Lake.
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Art Design: Corn and C. Derick Varn

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