Mike Leigh’s films are known for their observant depictions of the working class, their tragicomic tones, and their improvisational construction. But there are some misconceptions about his work that Mike would like to clear up. He does so while talking with Marc about his life-changing introduction to foreign films, his method of collaboration with his actors, the difference between realism and naturalism, and some details about the making of Secrets and Lies, Vera Drake, Topsy-Turvy, Naked and his new film Hard Truths.

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