Hierarchical reversal and African diasporic thought

This is one of my favorite conversations in recent memory — with the writer Zadie Smith. 

Smith is the author of novels, including “White Teeth,” “On Beauty” and “NW,” as well as many essays and short stories. Her ability to give language to the kinds of quiet battles that live inside of ourselves is part of why she’s been one of my favorite writers for years.

“We absolutely need to gather in our identity groups sometimes for our freedoms, for our civil rights. There’s absolutely no doubt about that. But for that role to be the thing that is you existentially all the way down — that is something that I personally believe all human beings revolt from at some level,” she told me when we spoke last September, shortly before  Trump’s re-election.

It’s ideas like these that I found interesting to revisit now, in a starkly different political climate. In this conversation, we discuss Smith’s novel, “The Fraud,” which Smith wrote with Trump and populism front of mind; what populism is really channeling; why Smith refuses the “bait” of wokeness; how people have been “modified” by smartphones and social media; and more.

This episode contains strong language.

Mentioned:

Feel Free by Zadie Smith

“Fascinated to Presume: In Defense of Fiction” by Zadie Smith

Amusing Ourselves to Death by Neil Postman

“Generation Why?” by Zadie Smith

Book Recommendations:

The Director by Daniel Kehlmann

The Rebel’s Clinic by Adam Shatz

The Diaries of Virginia Woolf

Thoughts? Guest suggestions? Email us at ezrakleinshow@nytimes.com.

You can find transcripts (posted midday) and more episodes of “The Ezra Klein Show” at nytimes.com/ezra-klein-podcast. Book recommendations from all our guests are listed at https://www.nytimes.com/article/ezra-klein-show-book-recs.

This episode of “The Ezra Klein Show” was produced by Annie Galvin. Fact-checking by Michelle Harris, with Kate Sinclair. Our senior engineer is Jeff Geld, with additional mixing by Aman Sahota and Efim Shapiro. Our senior editor is Claire Gordon. The show’s production team also includes Rollin Hu, Elias Isquith and Kristin Lin. Original music by Isaac Jones. Audience strategy by Kristina Samulewski and Shannon Busta. The executive producer of New York Times Opinion Audio is Annie-Rose Strasser.

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