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The Best (and Worst) of 2022: Part One

The Pitchfork Review

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Post Malone's at 12 Carrot Too Thick

Mitzky's Laurel Hell sits in the middle ground between becoming a pop star and being the indie flavor that she was in the beginning of her career. I think disappointment is relative. An album doesn't have to be a complete disaster to be a disappointment. You know, oftentimes it's those middle of the road albums by your favorite artists that end up being the most disappointing just because you expect greatness. The two boys Harry Styles and Jack Harlow are neck and neck for me if there's anything angrier than their existence.

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