Don't Over-Tats at Most Important Shot for Stand Up and Punchon

i just directed a film in mexico. The editor, who's a great guy, but he cut this and the punchon and this. And two shots are gray, where they're looking. Let the audience deside who they want to look at. It was tat steve allan ad me hi just became the classic shot to give a monologue. Ye, we you ave, the audience has to feel comfortable, yes? They have to be comfortable with you then, then. Robert piece out wit Wellpac. Great on esone ahugcultural lence in american comedy, a movis in the last 30 years. I really shared a lot of great