
Camille Bordas Reads “Colorín Colorado”
The New Yorker: The Writer's Voice - New Fiction from The New Yorker
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The Importance of Action in a Novel
"I went back to work on the story I planned to send Addy as a retroactive payment. The story exaggerated the reasons I'd left France at age 12," he says. "In the story, I made my mother's family even richer than it had been and mine my father's departure from Europe after they caught us off."
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