Intersectionality, Class, and Film Analysis

This chapter dives into the concept of intersectionality and its applicability to understanding oppression, particularly in relation to class and racial issues. The discussion then transitions to a filmmaker who successfully resurrects the exploitation genre in the 21st century, highlighting the political themes and challenges associated with shocking audiences. The chapter concludes with an exploration of the limitations of media consumption for motivating action and the admiration for certain movies and artistic approaches.