Mount Rushmore, with its images of four Presidents carved into the Black Hills of South Dakota, is America’s most identifiable monument. It might also be its most monumental contradiction — which is saying a lot, given the country’s gaping contradictions. According to Matthew Davis, the mountain’s biographer, the history of the Rushmore project captures both the remarkable engineering achievements of early 20th-century America and the country’s bloody colonial and racist past. So Mount Rushmore, Davis suggests, is indeed as American as cherry pie. Only that pie and those cherries aren’t quite as sweet as the MAGA crowd might like to think.
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