The Shadow Puppets

I remember quite clearly as a like a 14 year old just been being in bands and looking back thankfully my parents at the time sort of did give me enough space to just be able to make music. I had actually this synth that I bought off a Maxi Corg which I bought for like 70 quid or something off a mate who didn't know what it was and what you know it's about fags. Yeah well yeah but similarly I suppose maybe you just you get swept along by things don't you when they happen?Yeah if I'm honest my where I really want to be is here Right which is actually the what the song is about.

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In this episode, John ventures over to Clapton to join James Ellis Ford and talk about how he wrote, recorded, and produced the album ‘The Hum’.

His debut solo release after almost two decades working with some of the world's biggest artists, James looks back on how his approach to music has changed over the course of the album, reflecting on the different mindsets and decisions that come with producing his own work compared to that of others.

As well as a deep dive into his vast studio setup and hybrid system of new and old creative techniques, we’re treated to thoughts on the fine line of ironing out the humanness of mistakes, and how more often than not, pieces of gear can give you back ideas that you’d never have expected.

Listen to find out which undiscovered mics are used across almost all of the records he works on, how to implement a Frippertronics-style tape setup, and what you can create when you push a bass clarinet to its limits.

Tracks discussed: I Never Wanted Anything, Squeaky Wheel, The Yips

LINKS TO EVERYTHING TAPE NOTES

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Listen to ‘The Hum’ here.