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The Tension Between Fiction and Reality
May, December takes on a pretty cliched form. It forces you to kind of grapple with how we're used to consuming reality in the package of plot and certain things become cliches. I think it's a strategy that's never really been absent from, from, from cinema. Alessandro Alonso's early films were very much in this mode. He also hasn't seen the embaucom film but he is looking forward to it.