How to Be a Good Stylist on Set

I picture a lot of yelling on the phone. I think there really are quite a few types of agents. So yeah, five years ago I joined them. For me at this point the artists that I work with and the artists that i am looking out to want to work with in the world that are out there. It's like really this balance where you see eye to eye and you can communicate everything openly and make decisions together. Now what happens if something goes wrong? Like you set up a client, you're one of your stylists on a shoot and it doesn't go well and clients not happy. They probably call you, right? Of course.