"i still feel so bad for im, because bergman is just so good at getting emotions like we," says Ilik. "Even if you don't want to feel it, looking at it is amazing... i love this period of black and white film making", he adds. 'I'm not elizabeth bogr i'm soft. I love, i can still love people,' Alma tells her character in the movie's final scene.
David and Tamler dive into Ingmar Bergman’s 1966 masterpiece Persona, a film about two (?) women, Elisabet, a famous stage actress who has stopped speaking, and Alma the chatty young nurse assigned to care for her at an island cottage. What happens when the roles we play as parents, spouses, friends, and colleagues start to feel like dishonest performances, an endless series of desperate lies? Can we escape to an inner sanctum of truth and authenticity? Or is that putting on another mask, playing yet another part, telling a different set of lies? We offer some tentative interpretations of this rich and baffling film. Get that boy a normal sized sheet!
Plus we share some thoughts about the Chappelle special…
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