Directing Award Winning Experimental Feature Films With Slamdance Filmmaker Matthew Wade
Show Don't Tell: Micro-Budget Filmmaking
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How Did You Do That on the NewFeature?
I wanted something that was a little less like, i guess, something hat enhance the noise more than adding kind of artificial, like artifacts. So i just used a, i just put the grain on, basically, with film convert. I still obviously love natural grain the most. But for this one, it was more like, ok, let's put noise on it, rather than a film grain that has like, tha little little pieces of dirt and hair and stuff like that. It was more about the the dirt and the noise and the sort of imperfection that i wanted to c pull out of that stuff,. If that makesiye, ye.
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