John welcomes writer, director and playwright Leslye Headland (The Acolyte, Russian Doll) to ask, why are stage plays so challenging for screenwriters? Using her recent Broadway play Cult of Love, they look at different approaches to scene description, heightened and simultaneous dialogue, and strategies for adapting stage plays to film.
We also chart Leslye’s career from theater kid to auteur filmmaker, her approach to time loops (because how could we not?), and answer listener questions about music cues and long scripts.
In our bonus segment for premium members, John and Leslye compare notes on how to keep up with what’s on stage, and what to do if you missed a production.
Links:
Email us at ask@johnaugust.com
You can download the episode here.
