i wonder what you make of disney's strategy. They have all these really lucrative block busters, and even the ones that don't perform as well still seem to bring in a lot of money. As an action movie works for me because the plot only has to serve itself. I'm actually xciteporexisted alica ad like a moslim girl that becomes a super huro based on the very kind hearted and sweet comic byaye willow wilson. i go into all these now with a sense of trepidation, because i know i will not see a phot resolution. I will see an advertisement for the next sequence. But audiences do really like that.
Paris Marx is joined by Gita Jackson to discuss how streaming has altered the film and television industry, what happens as their business models are coming under question, and whether cinemas have reason to celebrate streaming’s woes.
Gita Jackson is a staff writer at Motherboard, Vice’s tech vertical. Follow Gita on Twitter at @xoxogossipgita.
Tech Won’t Save Us offers a critical perspective on tech, its worldview, and wider society with the goal of inspiring people to demand better tech and a better world. Follow the podcast (@techwontsaveus) and host Paris Marx (@parismarx) on Twitter, and support the show on Patreon.
Find out more about Harbinger Media Network at harbingermedianetwork.com.
Also mentioned in this episode:
Support the show