‘Conclave’ Crackles, and Christopher Nolan’s Helicopter Movie Takes Off
The Big Picture
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Thrills and Complexities in Cinema
This chapter explores Anna Kendrick's directorial debut, 'Woman of the Hour,' a gripping thriller based on a true crime story set in the 1970s. The discussion highlights the film's engaging narrative structure and performances while balancing respect for victims with cinematic allure. Additionally, the chapter delves into another film, 'Conclave,' examining its layered storytelling and themes revolving around the selection of a new pope amidst a competitive film landscape.
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