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JOHN DE BORMAN - Cinematographer
Team Deakins
The Power of a Period Film
I think it's more about the script and the mood you're trying to create than the period you set the film in. It didn't feel like a period film, which was its strength because it felt like this story was kind of timeless. The characters came out of the story. It just happened to be set in a certain period. And how much prep time did you have on an education? Five weeks,. I was with Lone Shurfing, who's Danish. We worked closely together so that there was a sort of innocence of the 50s.
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