Sweetie with Sarah-Violet Bliss
Blank Check with Griffin & David
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Film School, Is There a Right Way to Do Everything?
"i wanted that sort of like cartoonish energy throughout the whole thing," he says. "I think it was from the very beginning, consistent throughout the entire movie,. trying to create a sense of unease." He also talks about how director would watch other fiam school people who would have two really important shots in a sequence, and then want to shoot three or four other set ups of coverage for insurance.
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