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Method Writing: The First Four Concepts - Jack Grapes

Filmcourage

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The Change of Tonalities Makes for Drama

Great composers don't just write the same note a hundred times, they're changing. So if a number two comes up, and let's say it's e, the fancy, fancy voice, you've got to write four lines of fancy smancy. Then you roll the dice again, and oh, six comes up. What is that? Oh, that's a straight talk he well,. You won't believe it, but it's all the same piece. It's all a coherent idea or story, but you're switching every four lines. And so everybody thinks, oh, it's not going to make any sense, but it ends up making perfect sense because you're changing

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