Elvis Cinematography (with Mandy Walker, ASC, ACS) GCS325
Go Creative Show
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The Filters in Elvis Presley
"It was really both. It was exciting but it was like, I would, you know, be watching it and making sure that everything was exact." "I didn't use filtration. What I did was I got the lenses to have the feeling of a painterly feel," he says about his film's vintage lens choices. 'The art department at Graceland built as much in camera as we could possibly possible'
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