I think music critics need to have a command of neighboring cultural areas. When you're writing about opera, you're writing about literature as well as music. So every music critic can't be a pure specialist. You've looked at one dimension, it sheds light on things, but you need to really know what you don't know. That was somebody's answer. It was, i've no idea. No idea ever. They're speaking in a way that would make sense givein their academic work. O k, next one, you will get this one, because i'm not going to try to remove the clues. If you wrap it up in some soft war, i promise i won...

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