How Much Do You Have Between Shooting and Editing?

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"It takes me at least 14 to maybe 17 tries just to get a selfie where I don't look like my uncle Ron," Joseph says. "Ever since you've been campaigning to get me more followers, other people are going through the history of my stuff and they're liking those [photos] It's funny because that means that you're progressing but I totally get that we see our progress in such a different lens, if you will."

Lights! Cameras! Arachnids! And lizards and bees and beetles. Macro photography is like magic: curved glass gives an entirely new take on the world, from dust on a cricket’s brow to a curious mantid stare to the elegant symmetry of spider whiskers. Joseph Saunders is an Oklahoma-based wildlife photographer whose larger-than-life photos of bugs and reptiles will make you realize just how little we appreciate the creatures on our window sills and skittering up our porches. We talk shop about cameras, bug hunts, lenses, patience, Moth Week, BlackAFinSTEM, and also getting into nature with different mobility concerns. Alie is a shameless, rabid fan of Joseph and asked Patrons to help concoct an -ology to describe the art + science of his macro photography. Aperiology now exists to describe the tiny aperture used to keep these creatures in focus, and the huge world it opens up to us.

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