What Can We Learn From Fakes?
Gresham College Lectures
00:00
The Shadow Scholars in Kenya
In 19 99, the british film institute actually called the third man one of the most popular films in Britain. A semtual theme in dehorace s story is a desire to be known as an artist in his own right. He really wonders, at what point can he move from a fake to a real artist? In reflecting on this, i feel that dehorey's position really reflects and mirrors some of the work that i've been doing with shadow scholars in kennya.
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