The Resistance of the Narrative

I think first you have to submit to see what the thing is doing, right? And then you can resist after you've done that. I mean, it comes back to that old, the lay non-duped air, right? Like the people who aren't duped air, they go astray because they haven't submitted to the logic of the fiction and haven’t submitted to the subject supposed to know. So I think that's absolutely crucial point about the structure of how, you know, the resistance has to first be submission, right? "In Hamlet, I think it's one of these rare cases where what's functioning as a master signifier for Hamlet