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Episode 145: Waiting for the Miracle: On Vanessa Onwuemezi's "Dark Neighbourhood"

Weird Studies

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Samuel Beckett's Waiting for Godot

No live play had been performed at San Quentin since Sarah Bernhardt appeared there in 1913. Herbert Blau decided to prepare the San Quentin audience for what was to come. He stepped onto the stage and addressed the packed, dark and north dining hall. A sea of flickering matches the convicts tossed over their shoulders after letting their cigarettes. No wonder the actors and Herbert Blau, the director, were apprehensive. How were they to face one of the toughest audiences in the world with a highly obscure intellectual play that had produced near riots among a good many highly sophisticated audiences in Western Europe?

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