Keith Underwood (Part 1): On the Art of Imitation, and How to Glean Transformative Insights From Great Musicians to Level Up Your Playing.
The Bulletproof Musician
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The First Flute Lesson I Had With Sal
"i didn't think i was going to be a musician. And it was like the early 19 seventies, late sixties, so everybody was like, wild man." "I felt not trained as well as many people out of big new york music schools," he says. But by hanging out with great new york musicians, he could do certain things if people really were interested in him.
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