The Sides of the Villas

I generally, when you're trying to set out one of these sort of classical facades, it feels like one of the big manoeuvres is to reduce the number of elements. And this is really one where there are an awful lot of different things going on. You don't feel any awkwardness between the sort of continual shifts in size and form at between all the different openings. Thes e a very, very complex set of relationships which have been built up, which i am not sure i can completely unpick, but i feel it working on me yere.