It is now very unusual to see paintings by Gauguin in a gallery without an accompanying label, which effectively invites you to deplore him. Do you think that's necessary? I'm glad that there's cards now telling you a bit more about the girls and the paintings, I mean, before there was nothing there, there was literally nothing,. Now in the last few years that is completely different. But I have a different relationship with his paintings, so I adore them, I love them.
What to do with the art of monstrous men? That’s the question Claire Dederer grapples with in Monsters: A Fan’s Dilemma. She wonders whether she can or should continue to love the work of Roman Polanski and Michael Jackson, Hemingway and Picasso? And if it’s possible to divorce the art from the artist.
How do we now view the glorious, technicolour paintings of Paul Gauguin’s works from Tahiti? The writer Devika Ponnambalam has imagined the life of one of his muses Teha’amana in her latest novel, I Am Not Your Eve. Gauguin was 43 when he first arrived on the island in 1891 and made numerous teenage girls his ‘unofficial wives’.
The science writer Michael Bond is interested in the psychology behind fandom. In his book Fans he looks at the pleasure of tribalism and sense of belonging, but also what happens when one’s hero falls short, and the cognitive dissonance needed to continue to stay true to a monstrous genius.
Producer: Katy Hickman