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Spider-Man: No Way Home’ for Best Picture—Why the Hell Not?
The Big Picture
A Lost Daughter Over the Brake, by Maggie Gellan Hall
Maggie gellan hall's directorial deb and adapted it from anelena frante short novel that i haven't read, but have read some ferrante. The novels are all very closely a, i think they're off if they're not first person. And there you're very much in the woman's head and from her perspective. She's interested in female characters who do not do what is expected or jus in or t of what a woman means,. whether it's a friend or a mother or someone in a marriage.
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