The chapter delves into the moral dilemmas faced by journalists in conflict zones, contrasting the war action film marketing of the movie with its focus on the ethics of photojournalism. It analyzes how the film aims to be an anti-war piece, avoiding glamorizing war and depicting complex characters and political allegiances.
The new movie Civil War delivers a sensational story about political polarization spilling into mass violence. If that seems reckless, it’s what apocalyptic films have done forever. The LA Times’s Mark Olsen and Northeastern University’s Nathan Blake explain.
This episode was produced by Avishay Artsy, edited by Lissa Soep, fact-checked by Laura Bullard, engineered by Rob Byers, and hosted by Noel King.
Transcript at vox.com/todayexplained
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